The Process

The Intricate Art of Glass Flameworking: From Ancient Times to Today

 
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The art of glass flameworking has a long and fascinating history, dating back to ancient times. With roots in the Mesopotamian and Egyptian civilizations around 2500 BC, glassblowing techniques have evolved and diversified, resulting in a mesmerizing craft that continues to captivate audiences today.

Initially, glassmaking began with the core-forming method, wherein molten glass was wound around a removable core to create vessels. However, in the 1st century BC, the discovery of glassblowing transformed the industry. The Romans played a crucial role in the development and expansion of glassblowing, perfecting new techniques and spreading the craft throughout their vast empire.

 
 

Throughout the centuries, glass flameworking has continued to evolve, incorporating new techniques, materials, and artistic visions. In the 19th and 20th centuries, the American studio glass movement brought about a resurgence of interest in glassblowing, with artists like Louis Comfort Tiffany and Dale Chihuly pushing the boundaries of the medium. These trailblazers paved the way for contemporary glass artists, who continue to explore and innovate within the realm of flameworking.

Today, glass flameworking is appreciated worldwide for its beauty and complexity. People are drawn to the mesmerizing process and seek out local glass blowing studios and classes to learn more about this ancient skill. With the increased accessibility of courses and workshops, glass blowing has become a popular hobby for many, offering hands-on experiences and the opportunity to create unique works of art.

 
Michael Dickinson competing at Sonoran Glass School’s annual Flame Off competition in 2019. He won 3rd place for his piece, titled Fragile Balance.

Michael Dickinson competing at Sonoran Glass School’s annual Flame Off competition in 2019. He won 3rd place for his piece, titled Fragile Balance.

Sonoran Glass School’s Flame Off competition is held annually in Tucson, Arizona with proceeds benefiting the nonprofit educational programs.

Sonoran Glass School’s Flame Off competition is held annually in Tucson, Arizona with proceeds benefiting the nonprofit educational programs.

 
 

In addition to the allure of the process, people are captivated by the visual beauty of blown glass art. Galleries and showrooms worldwide showcase the talent and creativity of glass artists, featuring stunning pieces like hand-blown vases, ornaments, and exquisite glassware. These spaces allow art enthusiasts to admire and purchase one-of-a-kind creations, such as gold-rimmed wine glasses handcrafted by artists like Michael Dickinson.


Dickinson Glass presents an exquisite, handcrafted collection by esteemed local artist and designer, Michael Dickinson. Meticulously crafting each glass piece in his Sonoma County studio and showroom, Michael gracefully marries the traditional Venetian techniques with contemporary scientific methodologies. His current oeuvre captures the essence of time devoted to sculpting, manipulating, and shaping predominantly hollow forms and sculptures.

Passionate about fostering connections between creators and connoisseurs, Michael leads workshops across the Bay Area, emphasizing the significance of craftsmanship tradition through education and relationship-building. As a faculty member at both The Crucible and Bay Area Glass Institute, he has imparted his knowledge to over a thousand students, ranging in age from 12 to 65 and beyond.

Michael has collaborated with esteemed organizations such as Google, Facebook, Twitter, Square, and Salesforce, conducting team-building events and live demonstrations for Stanford University, Bay Area Glass Institute, and Maker Faire, among others. His remarkable work has been exhibited nationally, adorning galleries and curated stores, and proudly featured in numerous private collections.

 
 

 

Demonstration of Technique

Michael Dickinson continues to be involved with organizations that are working to propel the education of glass making. He is a faculty member at both The Crucible and Bay Area Glass Institute, has hosted live demonstrations at Stanford University, Nissan Ariya EV Drive Event, Maker Faire (a celebration of invention, creativity, curiosity and hands-on learning), and Sonoran Glass School, and has had tutorials published in The Flow Magazine. He is a member of the Association of Clay and Glass, Glass Art Society, and is a Small Business Owner. He continues to host classes around the Bay Area and beyond to share his craft.

Consider taking a class at Dickinson Glass to discover why glass has captivated humans since 1500BC.

 
 
 
Read Michael Dickinson’s contribution in the 2017 Summer issue of The Flow and his tutorial in the Marble and Paperweight Issue.

Read Michael Dickinson’s contribution in the 2017 Summer issue of The Flow and his tutorial in the Marble and Paperweight Issue.

marble preparation